Paris was THE capital of the nineteenth century, according to Walter Benjamin.  This module explores the city’s changing spaces and considers its residents, both bourgeois and avant-garde, who witnessed its exciting transformation into a modern capital.  It will examine how Parisians became a ‘spectacular’ society through the process of creating a city that was self-consciously modern.

This module examines the vibrant artistic culture of the Renaissance court, paying particular attention to gender. We will primarily study Italian courts and artists, though comparative material will include courts in Burgundy, France, Spain, and the Holy Roman Empire

This third art and ideas module deepens your existing thematic and historiographical knowledge building on Art and Ideas II. In this module, we will familiarise ourselves with some of the most influential and insightful theoretical approaches to art in the 20th and 21st Century.

This module aims at an understanding the problem of naturalism in Baroque art by seeing it in relation to broader transformations in the culture of Europe in the late sixteenth and seventeenth centuries. We will study the work of major artists – including Caravaggio, Bernini, Velázquez, Poussin, Rubens, Rembrandt, and Vermeer - as well as others less well known. Topics examined through the lens of art and its relationship to nature will include: how artists negotiated the new demands placed on art by the Council of Trent; debates about the relative merits of naturalism and classicism; the evolving social status of the artist; theories of imitation and originality; the emergent art market in the Protestant Netherlands; the visual culture of the triumphant Catholic Church in Baroque Rome; the role of artists in the construction of a ruling identity.

As part of this module you have the opportunity to go on a 7-10 day study trip to a European City during which you will visit museums, key building and cultural sites in the city to see art from the Renaissance to the present. The School provide a subsidy for Art History and ISC students for this trip, but you will be responsible for covering any additional costs outside of this. Any students not on an Art History or ISC course will be required to cover their own costs. Costs will differ each year depending on the destination and details for the trip.

An increasingly important sector, the cultural industries are distinctive both in terms of their political economy and their organizational forms, management systems and labour processes. You consider what is distinctive about culture as an economic product, and what this distinctiveness means for the structure of the industries.

This module offers final year students a unique opportunity to work together in an interdisciplinary team on a real-world project for a local partner organisation. It enables you to use the knowledge and skills you’ve acquired during your degree to address a real-world challenge, while sharing and developing your creative, organisational and practical abilities. By doing so, this module will prepare you for entering the graduate labour market or going on to post-graduate study.

Access to water is one of the most urgent global challenges facing us today. Vital for health and well-being, as well as integral to indigenous cultures and industrial processes, water is a threatened commons and contested commodity. In this module, we will explore global and local case studies that highlight challenges of scarcity, contamination, privatization, and climate change, and the cultural importance of bodies of water for diverse communities. We will examine water-related problems, such as economic and urban development, grassroots activism, political conflict, community relations, heritage and public health.

The majority of the 12 million enslaved Africans deported to the Americas during the 16th to the 19th centuries ended up working on plantations in Brazil and the Caribbean. Sugar, cacao, indigo, tobacco, cotton and coffee were the main commodities produced for the rapidly expanding European markets. Slavery in the Americas contributed to the making of the modern world. You’ll examine the different plantation societies in Brazil, British Jamaica, the French Caribbean, and the Spanish colonies (Venezuela and Cuba).

What do you know about depth psychology? How do psychoanalysis and analytical psychology provide new understanding of society, culture and politics? Build your knowledge about depth psychology - psychological thinking that introduces the concept of a deep unconscious. Understand Freud’s theories and their significance in social and cultural analysis.

What do you know about depth psychology? How do psychoanalysis and analytical psychology provide new understanding of society, culture and politics? Build your knowledge about depth psychology - psychological thinking that introduces the concept of a deep unconscious. Understand Jung’s theories and their significance in social and cultural analysis.

This module examines how photography and other forms of visual art provide meanings and interpretations of societies.

What impact has the printed press had on our social and cultural life? What about radio, cinema, TV and recorded music? And how important is all this in the light of new technological advancements? Examine the development of our mass media culture, from the nineteenth century to the present day.

What impact has the printed press had on our social and cultural life? What about radio, cinema, TV and recorded music? And how important is all this in the light of new technological advancements? Examine the development of our mass media culture, from the nineteenth century to the present day.

What impact has the printed press had on our social and cultural life? What about radio, cinema, TV and recorded music? And how important is all this in the light of new technological advancements? Examine the development of our mass media culture, from the nineteenth century to the present day.